July 16, 2008
Edge of Seventeen
Americans are obsessed with high school. It’s got youth, drama, romance and a vicious hierarchy of relationships and roles. And it’s always been great movie fodder, from Rebel Without a Cause to Mean Girls. In this tradition comes Nanette Burstein’s refreshingly sharp documentary, American Teen (out July 25), which trails five 17–year–olds as they struggle through their senior year in small–town Indiana. Much like high school, the film is alternately funny, emotional, scathing and joyous.
Following the jock, the geek, the popular girl, the heartthrob and the artsy girl, Burstein’s cameras wake up with the kids, ride with them to school, trail along to house parties and ball games — all with surprising authenticity. Artsy and bracingly self-aware Hannah, who yearns to go to film school in California, emerges as the film’s hero. (When she confronts her defeatist — and mostly absent — parents, she rightly jabs, “This is my life, not yours!”)
There’s relationship trauma, bitchy rich kids, topless photos (one girl’s pics get emailed around the entire school!) and getting-into-college angst, all set to a thumping indie-pop soundtrack (Black Kids, MGMT, The Ting Tings). Is being 17 today harder than ever? Yep. Some things never change.
American Teen opens July 25 from Paramount Vantage.
Who needs High School Musical 3 when director Tom Gustafson’s fantastical indie film Were the World Mine (in NYC and San Francisco November 21) has jocks cuter than ... more
Could an urchin from the Mumbai slums win 20 million rupees on a TV game show? Would he have the smarts? Could it be his destiny? Better yet, will he get the girl and ... more
“I’m Harvey Milk, and I’m here to recruit you!” That was the signature speech opener of the pioneering San Francisco supervisor, the first openly gay man elected to ... more
Some people seem naturally joyful. Take Poppy. She’s one of those women who will walk into a store and happily engage a stranger in conversation — whether he likes it ... more
If you’ve seen any of Guy Ritchie’s lad-heavy, trigger-happy capers (Snatch, Lock, Stock & Two Smoking Barrels), you know the score: Something gets stolen and two ... more




Bookmark this article